Black Madonna

Year: 1992
Materials: leather, wire, metal buttons, religious trinkets.
Click image to view materials.






While creating her treasures, she infuses her
with layers of philosophical meaning. Just
as a writer uses a journal to record her life
experiences, Annin uses her sculpture to recall
her own life and times, and reflect her personal,
female perception of society's 20th century
attitudes toward women.

~Mary Jean Jecklin, Fiberarts Magazine

Copyright ©2003 Marilyn Annin. All rights reserved.